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—Candace McDuffie, Joni Mitchell sang of “butterscotch” sunshine and a fleeting “rainbow” on “Chelsea Morning,” a song from her 1969 classic Clouds. Theme From New York, New York . It is sung by Huey Lewis with music by Barry Mann and lyrics by Howard Ashman. Branford Marsalis played soprano saxophone on the track, while the drums were played by … A live version of the song can be found on the Japanese version of the 1996 Kiss album You Wanted the Best, You Got the Best!! It is the most New York and the most Irish. "New York" is a song by English singer-songwriter Paloma Faith from the album Do You Want the Truth or Something Beautiful?. The piano ballad is easily the best song about New York released in some time, miles more emotionally affecting than the Google Maps-like, landmark-referencing “Empire State of Mind,” and it’s one that does a lot with a little, stripping away Clark’s manic guitar-playing in such a way that you almost forget she’s still the best guitarist of her generation. Now more associated with Christmas (in the UK) this Pogues song title was lifted from a book by J. P. Donleavy. Yes, his vocal positively oozes exuberance—listening to signature lines like “I want to wake up in a city that doesn’t sleep,” it’s hard to imagine that Sinatra wasn’t being sincere about the subject, especially having grown up across the Hudson River in Hoboken, N.J., right in view of Manhattan’s fabled skyline. We’re with you Leonard, let’s do this. —Bonnie Stiernberg, Even for a city that’s produced an endless supply of self-referencing music, there is perhaps no song that captures New Yorkers’ collective image of their town as much as Frank Sinatra’s rendition of “New York, New York.” The song occupies a unique position as the hallmark for no less than three globally recognized institutions—Sinatra, the city itself and the New York Yankees. Though the Beastie Boys were just beginning to take their show on the road circa 1986, this hit made it clear they’d never leave Brooklyn behind. The British glam rock band Hello first recorded the song in 1975, for their debut album, Keeps Us Off the Streets. Most New York lyric: “The Bronx is up but the Battery’s down / The people ride in a hole in the ground” Nothing Like the Sun, released in October 1987. “Snow is falling in Manhattan / In a slow diagonal fashion / On the Sabbath, as it happens,” he sings. The Gotobeds: “New York’s Alright (If You Like Sex & Phones)”, 23. —Ellen Johnson, There’s no debate as to which 2019 song is the best and truest NYC ballad. to 1st and 8th Aves, Annie Clark bemoans the loss of a lover—presumably her ex, Cara Delevingne—and her friends, who like many in the arts community this decade, packed up their belongings and moved to Los Angeles. —Saby Reyes-Kulkarni, Jay-Z and Alicia Keys’s thundering, wholesome and proud ode to New York City was originally created by a couple of other artists, PAngela Hunte and Janet “Jnay” Sewell-Ulepic during a trip to London where they both felt homesick. (New York, New York, New York) One hand in the air for the big city, Street lights, big dreams, all looking pretty No place in the world that can compare Put your lighters in the air, Everybody say Yeah, Yeah, Yeah! Let “NYC” serve as Exhibit A. The single was released in February 1988 as the third single from the album, but only reached #51 on the UK Singles Chart. The pounding track about waiting to score whatever $26 will get you has been covered by the likes of David Bowie, Beck and Belle & Sebastian, but no one does it quite like the original. The song was also issued as the B-Side to the duo's "Cecilia" single. One swipe of a plastic card opens the floodgates to just about anything, and Le Tigre reminds you to take advantage of it. New York City is famous for its frantic pace, thus a "New York Minute" is even faster than a regular minute. She didn’t depict the hustle and bustle of New York City, but rather a peaceful a.m. scene—breakfast, oranges, “a song outside my window.” You can’t hear it without longing to slip into a bathrobe, pour a cup of coffee and just nest. The title song, "Autumn in New York" is crooned out by Yvonne Washington, and its relaxing jazz bass line and soft percussion is just perfect. The "Englishman" in question is the famous eccentric Quentin Crisp. Maybe the city at its peak still exists to someone, but not for him. His phrasing on this tune is particularly pristine: try not to choke up when he pleads (and recedes), “I need you, I don’t need you.” But the truly great and iconic feature of this song is that, for all the emotion and memory that he applies to its performance and composition, he ends on a profoundly ruthless statement that hangs, dangerously, in the air: “I don’t think of you that often.” —Nate Logsdon, It will be difficult to convey to future generations just how well Interpol epitomized dapper-dressed early-aughts cool. She’s in anguish. In the video, a grown Sharon Van Etten walks with her younger self through old NYC stomping grounds—Union Pool, Baby’s All Right, the Marcy Street JM subway stop. It was written for and performed in the film by Liza Minnelli. —Jade Gomez, Jim Croce offers a proper antithesis to his contemporary Harry Nilsson’s “I Guess The Lord Must Be In New York City” in “New York’s Not My Home,” where he bemoans every aspect of the city after living there for a year. "New York Groove" is a song written by English singer/songwriter Russ Ballard, which was a hit for two different artists: the band Hello in 1975, and Ace Frehley in 1978. —Ellen Johnson, Frank Sinatra’s version of “Autumn in New York,” Vernon Duke’s 1934 jazz standard, is the only one to enjoy any chart success as a single one and a half decades later, but Billie Holiday’s take on the song is unimpeachably, undeniably, unequivocally better. It has the feel of something written in secret, quickly and quietly. While this is not the better-known Nilsson Schmilsson, Harry is a charming snapshot of one of the 20th century’s greatest singer/songwriter’s on the cusp of fame. It was written without a commission or for a specific show, but was offered by Duke to producer Murray Anderson for his Broadway musical Thumbs Up! Even a crowded city beach feels worlds away from dog-day concrete playgrounds and rooftops, and “Rockaway Beach” salutes its eternal promise of respite in some of Dee Dee Ramone’s most economic poetry: “Chewing out a rhythm on my bubble gum / Sun is out, and I want some.” —Sara Bir, An iconic counterpoint to both cheery Christmas songs and starry-eyed views of the Big Apple. —Garrett Martin, This track is thrilling because it opens I’m Your Man in a mode in which we’ve never heard Cohen before, as a kind of cosmopolitan thrill-seeker and provocateur. The friend he was talking about is author Quentin Crisp. "Take the 'A' Train," Duke Ellington (1941) For fans of: Transit, uptown. The last song on the album before we hit the orchestral score is the romantic ballad, "Our Love Never Ends." The song follows an Irish immigrant's Christmas Eve nostalgic stories about holidays past while sleeping off a drinking binge in a New York City 'drunk tank'. The lyrics for "Zoom" were written by Gustavo Cerati. “Autumn in New York” is a jazz standard composed by Vernon Duke in 1934 for the Broadway musical Thumbs Up! Also featured is Lennon's paean to his adopted home, "New York City," with allusions to doping clerics and transsexual rockers as well as the highly quotable line, "What a bad-ass city!" Having gone from slinging crack in Brooklyn’s Marcy projects to hobnobbing... "N.Y. State of Mind," Nas. It was written for and performed in the film by Liza Minnelli. If you believe the speaker in the chorus, the goal is no less than world domination. Branford Marsalis played soprano saxophone on the track, while the drums were played by Manu Katché and the percussion by Mino Cinélu.. According to Ryuma Matsuzaka, who produced and directed the clip, the idea to bring Japanese artists in New York together for the video came when he found himself humming the song one day. On the bonus disc, Lennon and Ono get it on with Zappa and the Mothers in live sets from London and New York. That said, it’s composer John Kander and arranger Don Costa’s orchestration that give the song its strangely timeless quality. Perhaps this time and place are cozy and full of wonder for you, with delicately hung mistletoe and snowy strolls down Fifth Avenue. The original version by Hello is featured in the video game Grand Theft Auto IV on the in-game radio station Liberty Rock Radio, as well as being one of four songs to play during the end credits after the games theme played. We hope they inspire a little of that NYC strength and spirit in you. "Englishman in New York" is a song by English artist Sting, from his second studio album ...Nothing Like the Sun, released in October 1987. We've found 10,738 lyrics, 127 artists, and 47 albums matching new york. Nas’ lyrical mastery begins with his first verse on “N.Y. It’s there—in a somber way—in LCD Soundsystem’s lilting, lovely, relatable (if you’ve ever spent considerable time in the city, that is) “New York, I Love You But You’re Bringing Me Down.” It’s even there in Taylor Swift’s charged 1989 opener, “Welcome To New York,” the kind of classic awestruck, bright-lights banger the city so often inspires. In 1990, a remix by Dutch producer Ben Liebrand was released as a single and hit #15. Recorded in 2009, Jay-Z’s huge single quickly … Now you're in New York! However, as someone who moved to New Jersey as a teen, I have a soft spot for this song. No matter where you’re from, you’ll feel like you live in Manhattan when you listen to it. Yet, it’s undeniably about New York City. New York’s alright. I went out walking the other day Seen a little girl crying along the way She'd been hurt so bad said she'd never love again Someday your crying girl will end —Jane Song, Getting your first Metrocard is an exhilarating rite of passage, and it’s even better when you finally get to ride alone. We would have it no other way. It works almost like an antithesis to Mitchell’s “Chelsea Morning.” Her NYC scene was a bright, light spring morning; his, a dark, cozy winter’s night. As the lead single from their debut album Criminal Minded, released that same year, “South Bronx” is notorious for its role in “The Bridge Wars” that pitted BDP against Queens rapper MC Shan after he released “The Bridge.” The song memorably samples James Brown’s “Get Up Offa That Thing” and undeniably launched KRS-One’s groundbreaking career not only as a skilled rapper but an exemplary lyricist. Then he moved to the Bowery, this tough neighbourhood in New York, when he was 71. Godley & Creme released a song called "An Englishman In New York" in 1979. New York is easily the most romanticized American city in movies, music and TV. The New York Giants use "New York Groove" at home games after scoring a touchdown as well as Super Bowl XLII and Super Bowl XLVI. The lushly composed “struggle song” melds the personal and the universal, with Womack (who was born into poverty in Cleveland) recalling his own battle “to break out of the ghetto,” and lamenting racial and geographical divisions that still persist today: “The family on the other side of town / would catch hell without a ghetto around / In every city you find the same thing going down.” “Across 110th Street,” too, still resonates, spanning generations as a soulful anthem for marginalized folks fighting to survive, whether in New York City or any other. Concrete jungle where dreams are made of There's nothing you can't do, now you're in New York! and Kiss: Rock and Roll Mystery, Hold Me, Touch Me (Think of Me When We're Apart), https://en.wikipedia.org/w/index.php?title=New_York_Groove&oldid=1005426484, Articles needing additional references from March 2015, All articles needing additional references, Short description is different from Wikidata, Articles needing additional references from January 2018, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, It was played at the end of the 10th episode of season 4 of the TV show, The Ace Frehley recording was played in the 12th episode of season 3 of the TV show, It was the opening theme for the first two seasons of the American cable television reality series, It was played in the 8th episode of season 5 of the HBO TV show, This page was last edited on 7 February 2021, at 16:22. There’s an air of espionage in the tune somehow (reinforced later in the record by the outlandish “Jazz Police”) and Cohen’s booming baritone makes the listener feel like a conspirator. The New York Giants use "New York Groove" at home games after scoring a touchdown as well as Super Bowl XLII and Super Bowl XLVI. Livin’ down in New York town So all you newsy people, spread the news around You c’n listen to m’ story, listen to m’ song You c’n step on my name, you c’n try ’n’ get me beat When I leave New York, I’ll be standin’ on my feet And it’s hard times in the city Livin’ down in New York town All Rights Reserved, 24. The instrumental hook (DAH-DAH dah-dah-dah) is just as iconic as any of the song’s most memorable lines, and the ambience of the Sinatra recording hearkens back to classic 1940s and ’50s-era records where vocalists took center stage accompanied by an orchestra. Is This It came out in the summer of 2001, just a few months before the 9/11 attacks, so later copies of the record removed the song, which some found in poor taste due to its jabs at the city’s first responders. In the year following my move, I was forcefully optimistic and tried very hard to paper over my fears about making new friends with empty reassurances. State of Mind” and ceases to relent. It immediately lifted his spirits and he believed it could do the same for others. Up to that point, the pair had always partnered musically and shared a bond, which was now breaking. Sting wasn't the first to use the title. As long as NYC stands, people will write songs about it. Lyrics. "New York Groove" is the opening track on the 2012 Andy Scott's Sweet album New York Connection. Song … It hits different after David Berman’s death last summer, but it maintains the dark, mystical beauty that simmered up the first time I heard it on a sweltering day in July. Fresh from a real-life move to Manhattan, Swizzy loses herself … The Ace Frehley version was among songs proposed by James Gunn for use with the Guardians of the Galaxy in Avengers: Infinity War. New York, The film Golden Exits (2017) begins with a character singing the song. Sting wrote the song not long after Crisp moved from London to an apartment in New York's Bowery. On the avenue, there ain't never a curfew, ladies work so hard It was written for and performed in the film by Liza Minnelli. That “song” she mentioned?—“The traffic wrote the words.” “Chelsea Morning” possesses a movement and a light that’s felt in all the best songs about NYC. But when Keys comes roaring onto the chorus, that’s when the chills form and you feel the utter infatuation with the area. As Jake was "drawn" into the world of the Dark Tower from the NYC of 1977, he is most likely referring to the Hello version. I got a pocketful of dreams aby I'm from New York! A New York state of mind links these songs-a remarkable pop music mix that reflects and celebrates the incredible musical diversity of the City That Never Sleeps. All State Songs. “Downtown harks back / halfway up the street,” she sings. With The Strokes being one of New York’s most essential bands, it’s fitting that they would have a song that references such an overwhelmingly visible presence in the city. That doesn’t mean it’s as shiny and wonderful as you’ve been led to believe in every romantic comedy and rock album ever made, but it is one of the most resilient cities we’ve got. With its brooding refrains and skewed imagery (only Paul Banks could make a line like “The subway is a porno” sound deep), “NYC” functions as Turn on the Bright Lights’ de facto title track, and perhaps a larger signifier of the era.
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